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Scholarly attention has tended to focus on the owners and management of the multinationals, but when the focus is changed to that of subsidiaries, different aspects of business development and international capitalism come to light. Sandvik’s study looks at the Falconbridge nickel refinery in Kristiansand, Norway.

• Published on: 2012-02-01
• Original language: English
• Number of items: 1
• Dimensions: 9.75" h x 6.50" w x .75" l, .0 pounds
• Binding: Hardcover
• 224 pages

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[F190.Ebook] Free PDF The Coordination Code: The Ultimate Graphic Approach to Improving Your Drum Skills, Book, Poster, & Enhanced CD, by Karl Sloman, Dom Famul

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Coordination occurs when your body movements allow you to strike the elements of the drumset at a precise moment in time. The Coordination Code uses a unique system of notation to teach your body to achieve complete coordination when performing two or more movements at one time, and gain a new set of tools to utilize in your playing. The enclosed poster is a useful reference when learning or teaching the notation system. To benefit every drummer, the book is organized in five difficulty levels ranging from simple to professional. In addition to helping coordination, this book will build confidence, enhance your creativity, and increase your strength on both sides of your body. An MP3 CD is included with recorded examples of every exercise in the book.

• Sales Rank: #2852709 in Books
• Brand: Brand: Alfred Music
• Model: 00-38885
• Published on: 2012-10-01
• Original language: English
• Number of items: 1
• Dimensions: 11.70" h x .50" w x 8.80" l, .45 pounds
• Binding: Paperback
• 120 pages

Features

• Brand Name: Baker and Taylor Mfg#: 9780739086018
• Shipping Weight: 0.98 lbs
• Manufacturer:
• Genre:
• All music products are properly licensed and guaranteed authentic.

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0 of 0 people found the following review helpful.
Four Stars
By CM
A very interesting way to look at drums.

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Kirkus Recommended Review - "...captivating and memorable...makes for supremely fun reading...this action-packed ride through a grim but fascinating world should delight fans of The Hunger Games and Divergent and leave many waiting impatiently for the sequel."

Legend meets Leviathan in this gritty dystopian fiction by debut author Sophia Elaine Hanson. All citizens within the soaring black walls of Revinia have metal Singers grafted into their skulls at birth. The parasitic machines issue a form of auditory hypnosis called The Music, which keeps their minds malleable and emotions flat. All artistic expression—especially real music—is strictly prohibited.

On the edge of the city, nineteen year old Ronja struggles to support her cousins and disabled mother. A chance meeting leads to her kidnapping by an underground resistance striving to preserve the human spirit. Violently severed from her Singer by the brash young agent Roark, Ronja revels in her newfound freedom until the consequences of her disappearance begin to unfold.

The first in a trilogy, Vinyl is a story of loyalty, passion, trauma, human connection, and the extraordinary power of real music.

• Sales Rank: #36190 in eBooks
• Published on: 2015-11-27
• Released on: 2015-11-27
• Format: Kindle eBook

Review
"I was hooked from the opening pages of�Vinyl�by Sophia Hanson and my interestnever wavered for a moment! I loved the creative and strong characters and plots that�continued to build and shock and surprise. Just when you think you know what's�happening, something comes along to throw a wrench in it. I've read a ton of YA fantasy and science fiction over the years so I'm rarely surprised by anything anymore but I can say that this author managed to do it!". (5 stars)�Jenna Brewster - Goodreads; Shelfari;�Barnes & Noble; Indie Book Reviewers

About the Author
Sophia has been writing novels, short stories, and poems since she was still losing her baby teeth. Throughout her high school career she amassed an impressive 35 Scholastic Art and Writing Awards including two National Gold Medals for science fiction short stories. As a Scholastic alumnus, she joins the ranks of many great authors including Truman Capote, Sylvia Plath, and Joyce Carol Oates. Sophia's work has twice been accepted for publication in international young writer journals (Polyphony HS�and�The Claremont Review). Sophia grew up in Iowa with two dogs and two fantastic parents. She now resides in New York City as a student at her dream school, NYU. She loves dogs, books, and hummingbirds and hates racists, homophobes, and cantaloupe. She has a cactus named Nao because her dorm prohibits pets. See her blog at: sophiaelainehanson.com or follow her on Instagram at: authorsehanson; on Twitter at authorsehanson, or on Facebook at: Vinylbysophiahanson.�

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4 of 4 people found the following review helpful.
Can't Wait for Radio!!!
By Amazon Customer
Actual Rating: 4.5 stars
Disclaimer: I received a copy of this book in exchange for an honest review. It in no way affects my review.

You guys might want to grab a snack and relax, because this is going to be a long one. For a while after I finished this book all I could think was Wow. Let me say right off the bat, it's been a long time since tears have actually fallen from my eyes from a book. I'm always skeptical when I hear that a book made someone cry because it has happened to me so rarely. But it happened to me with this book. Granted, it was 11 o'clock at night and I may have been more emotional than usual, but still.

Second of all, I should mention that this book was written by a nineteen year-old. Wait, did you read that correctly? Yes, 19 years old. Sophia attended NYU this year as a freshman and is now someone I look up to immensely. (Keep your eyes out for an author interview coming soon!!!)

I like to write on sticky notes and put them in my books when I get excited about stuff, and my copy of Vinyl now has plenty of neon pink sticky notes throughout its pages. One of the first things I wrote was that I really like Ronja. Ronja is the daughter of a "mutt" (someone who has been experimented on and has mutated genes), and as such, she has been discriminated against her whole life. She is constantly treated as a lower class citizen and in turn, this has hardened her against the world and she doesn't trust anyone to be kind to her. Because everyone around her treats her like a horrible person, she has begun to act the way they expect her to. But she is fiercely loyal to her family, and works tirelessly to get food for them. I'll admit, sometimes Ronja was rude to everyone around her to the point that it was slightly frustrating but her whole life had taught her to be harsh to protect herself. I imagined Ronja with short, curly hair and a face that has her strength and resilience written all over it.

The first thing I noticed about the book is that it has amazing writing. Hanson has written short stories that have been published before, so she definitely has experience with writing but I was pleasantly surprised at how exceptional it is. It reminds me of how Christopher Paolini wrote Eragon at such a young age, even though his writing far surpassed what was expected of someone his age. This book is testament to the fact that young people can write just as well as older authors, if they have enough experience. The writing style and the fast-paced plot reminded me of both Casssandra Clare's City of Bones and Marie Lu's Legend series.

The pace of Vinyl was fast in a perfect way. There was action when I wanted action, and emotional conversations when I wanted things to slow down a little. The plot was constantly being thrown forward by new twists and turns that I never saw coming. (If I really think about it, there were almost too many? plot twists. I loved it but sometimes it felt like it was a little much.) One of my favorite parts of the whole book was when Ronja experienced her first "jam" (similar to a concert) and the way Ronja tries to describe instruments without knowing their correct names.

This book is pretty much the epitome of all distopian fiction, which makes it perfect for fans of that genre and the concept of a totalitarian government using music to control it's masses is so blissfully unique.

Finally, the ending. I couldn't stop reading once I had about 60 pages left. I had to know what happened to Roarke and Ronja and every moment was better than the last. I loved the spy vibes that were going on during the secret mission in the end. I also loved how B.A. Terra and Evie are. I also adore Henry and Ronja's friendship.

This book is full of independent but simultaneously loyal and tough characters and it's perfect for fans of the Legend series. I'm so glad I got to read this book so now I can recommend it to everyone I meet!

Okay, "What's the catch?" you ask? Well, there were only two teeny tiny issues I found, but I say teeny tiny because they really didn't affect my overall enjoyment of the book. The first thing is that a few aspects of Ronja's world are slightly confusing. Especially in the beginning, it's difficult to figure out what a Singer is, what The Day Song is, what an Off is, and what a shiny is. You can kind of figure it out from context clues but more elaboration on these vocabulary words would have been nice. I still don't fully understand how The Music works and how it controls the citizens and their emotions. Second, towards the end of the book Roark is willing to sacrifice something huge for Ronja and I just wasn't quite convinced that it was realistic. It made for an awesome plot twist but it just didn't seem like he would really do something like that after only knowing Ronja for a couple of weeks. Sorry if that seemed vague, I didn't want to give away any spoilers.

All in all, I'm so glad I got to review this book, I would have probably picked it up myself if Sophia hadn't sent me a copy. Huge thank you again, Sophia!

3 of 3 people found the following review helpful.
Amazing book!
By Lorelei
I have read a lot of books and never written a review, but my goodness, this book deserves all the five stars. I finished reading Vinyl a few weeks ago and I can not stop thinking about it. I NEED more, I will even admit to following Miss Hanson on social media just so I know as soon as number two is released. If you're reading reviews to decide whether you want to read this book just stop and read it. You won't regret it.

2 of 2 people found the following review helpful.
May Your Song Guide You Home
By Amazon Customer
This isn't just another young adult book built to fill the "dystopian fiction" void in your life. It's brilliant. Kept me up until five in the morning because I couldn't sleep until I'd finished it. Invest in this amazing story and read it on a weekend, because you won't want to stop for anything, not work, not school, probably not even some sort of medical emergency. I can't wait for Book 2!

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• Sales Rank: #205236 in Books
• Published on: 2010-10
• Number of items: 1
• Binding: Paperback

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1 of 1 people found the following review helpful.
All of the How It Works publications are great for those of us who have an insatiable desire ...
By Donald L Gayman
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[Q226.Ebook] Get Free Ebook Ford Mustang 79-93 & Mercury Capri 79-86 (Haynes Repair Manual), by Manufacturer

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This 1979-1993 Ford Mustang Automobile Repair Manual by Chilton provides detailed service information, step-by-step repair instruction and maintenance specifications for 1979-1993 Ford Mustang cars.
1979
1980 1981 1982 1983 1984 1985 1986 1987 1988 1989
1990 1991 1992 1993
Total Car Care is the most complete, step-by-step automotive repair manual you'll ever use. All repair procedures are supported by detailed specifications, exploded views, and photographs.
• 1979-1993 Ford Mustang Wiring diagrams
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• Sales Rank: #1612139 in Books
• Brand: Chilton
• Published on: 2015
• Original language: English
• Number of items: 1
• Dimensions: 10.63" h x .83" w x 8.27" l, 1.29 pounds
• Binding: Paperback

Features

• 1979 - 1993 Ford Mustang & Mercury Capri Chilton's Total Car Care Manual

Most helpful customer reviews

0 of 1 people found the following review helpful.
Deceiving....
By James Bond
This is not a true chiltons manual. I was expecting to be able to use this book for every part of my car, what a rip off.

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[H193.Ebook] Free Ebook Harry Potter and the Bible; The Menace Behind the Magick, by Richard Abanes

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A fine and bright copy in a fine and bright dust jacket. Styled on the dj as "A Crossings Book Club Edition" - yet, probably the 1st printing of this book.

• Sales Rank: #2307627 in Books
• Published on: 2001
• Number of items: 1
• Binding: Hardcover

Most helpful customer reviews

14 of 33 people found the following review helpful.
an agonistic viewpoint
By Goggle-Eyed Slewfoot
I am skeptical of both Christianity and the occult, but that doesn't mean I can't enjoy a book about both. Abanes discusses matters which are important to both believers and non-believers, such as the importance of respecting fat people, skinny people, and Moaning Myrtles.
As for whether or not occult powers really exist, Abanes presents a case of a person undergoing eerie visions and sensations while becoming entrapped in Satanism. I wonder, however, if those visions and sensations resulted from the drugs and alcohol which the person was consuming at the time.
I was surprised that Abanes cited evidence that astrology is ineffective. This indicated to me that astrology comes from neither God nor Satan.
Yes, Abanes argues very convincingly that the occult is at odds with Christianity. He does not prove to my satisfaction that the occult is evil and that Christianity is good, but I didn't expect him to.

18 of 22 people found the following review helpful.
Quotes to Consider
By A Customer
"If there is one thing Voldemort cannot understand, it is love."

-- Albus Dumbledore

"It is our choices, Harry, that show who we truly are, far more than our abilities."

-- Albus Dumbledore

"There is nothing worse than death, Dumbledore!"

"You are quite wrong...indeed, your failure to realize that there are things much worse than death has always been your greatest weakness --"

-- Conversation between Voldemort (bad) and Dumbledore (good)

"It is the unknown we fear when we look upon death and darkness, nothing more."

-- Albus Dumbledore

"You are protected, in short, by your ability to love!"

-- Albus Dumbledore

"You fail to realize that it matters not what someone is born, but what they grow to be!"

-- Albus Dumbledore

"If you want to know what a man's like, take a good look at how he treats his inferiors, not his equals."

-- Sirius Black

"What was there to be gained by fighting the most evil wizard who has ever existed? Only innocent lives, Peter!"

-- Sirius Black

"THEN YOU SHOULD HAVE DIED! DIED RATHER THAN BETRAYED YOUR FRIENDS, AS WE WOULD HAVE DONE FOR YOU!"

-- Sirius Black

"There is a room in the Department of Mysteries that is kept locked at all times. It contains a force that is at once more powerful and terrible than life, than human intelligence, than forces of nature. It is this power [shown in book 6 to be love] that you possess in such quantities and which Voldemort has none at all. That power took you to save Sirius tonight. That power also saved you from possession by Voldemort, because he could not bear to reside in a body so full of the force he detests. In the end, it mattered not that you could not close your mind. It was your heart that saved you."

-- Albus Dumbledore

Please, Abanes, do spare me from such satanism.

6 of 7 people found the following review helpful.
Are People Really This Stupid?
By Sarah
After reading through the first couple chapters, it was clear that this book was going nowhere fast. Those who are posting 5 star reviews are only arguing that Harry Potter does not reinforce society with Christian values the way that Narnia and other "proclaimed" Christian-inspired series do. First and foremost, Harry Potter NEVER claimed to represent the Gospel, EVER. Let's hear that loud and clear. Second, I think we can all think of a whole slew of movies/literature/songs etc. which also DO NOT represent the Gospel, and DO NOT claim to represent the Gospel. Plain and simple, nobody attacked Aladdin when Disney decided to use the mythical Genie as a main character. "Boo Boo SHAME ON YOU!" Why don't we all go around ranting and raving like lunatics on every piece of entertainment that doesn't get our Veggie-Tales stamp of approval. Frankly, these attacks on Harry Potter are from complete morons and so is the dunce that wrote this completely inadequate book. While he sits around researching the history behind ancient levitation spells, I'm going to enjoy the strong-willed passionate character that Harry Potter is. And instead of freaking every body out about witchcraft (which is also present in Narnia and Lord of The Rings) why don't we point out the parts of the movie which are representative of great characteristics and "Biblical teachings" and learn lessons from the parts where behavior does not line up with our Gospel beliefs. Oh, forgive me, I forgot that your own lives DO NOT LINE UP WITH THE GOSPEL. Because we are all sinful. So maybe instead of protesting something that can be used to actually glorify God, we should be taking your children out of your own imperfect homes and put them in plastic Gospel bubbles where they never see humans who lie, cheat, steal, slander, or fight. The funny thing is, Harry actually has a genuine drive and purpose for his missions. Can we all say that for Aladdin? Before you jump on a bandwagon of knocking something because it comes in a different style, maybe you should turn around and look at what your children have been watching all this time.
Man, idiots annoy me.

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[I902.Ebook] Ebook Urban Space as Heritage in Late Colonial Cuba: Classicism and Dissonance on the Plaza de Armas of Havana, 1754-1828 (Latin American and Car

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According to national legend, Havana, Cuba, was founded under the shade of a ceiba tree whose branches sheltered the island's first Catholic mass and meeting of the town council (cabildo) in 1519. The founding site was first memorialized in 1754 by the erection of a baroque monument in Havana's central Plaza de Armas, which was reconfigured in 1828 by the addition of a neoclassical work, El Templete. Viewing the transformation of the Plaza de Armas from the new perspective of heritage studies, this book investigates how late colonial Cuban society narrated Havana's founding to valorize Spanish imperial power and used the monuments to underpin a local sense of place and cultural authenticity, civic achievement, and social order.

Paul Niell analyzes how Cubans produced heritage at the site of the symbolic ceiba tree by endowing the collective urban space of the plaza with a cultural authority that used the past to validate various place identities in the present. Niell's close examination of the extant forms of the 1754 and 1828 civic monuments, which include academic history paintings, neoclassical architecture, and idealized sculpture in tandem with period documents and printed texts, reveals a "dissonance of heritage"—in other words, a lack of agreement as to the works' significance and use. He considers the implications of this dissonance with respect to a wide array of interests in late colonial Havana, showing how heritage as a dominant cultural discourse was used to manage and even disinherit certain sectors of the colonial population.

• Sales Rank: #2633912 in Books
• Published on: 2015-05-15
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.00" w x 6.00" l, .0 pounds
• Binding: Hardcover
• 344 pages

Review
"This is an important book that successfully demonstrates the potential of heritage studies as a critical strategy to understand visual culture in the context of the production of identity, power, and authority in a society." (Magali Carrera, Chancellor Professor of Art History, University of Massachusetts Dartmouth, and author of Imagining Identity in New Spain: Race, Lineage, and the Colonial Body in Portraiture and Casta Paintings)

"This [book] is immensely important for the field [of colonial art history]. While sixteenth-century contact-era art and eighteenth-century exceptional works have drawn attention to the field, they also help to keep it marginal to the practice of art history. By engaging the Bourbon reforms, the foundation of academies, and so on, Niell and [others] more amply account for colonial art and help scholars from other genres of the discipline to see similarities, not just differences. . . . The book offers a model case study in the recrafting of historical sites for new purposes, particularly, but not exclusively, in a colonial context. It thus offers a good model for the study of a place in all of its complexities and for all of the constituencies exerting influence on the site." (Kelly Donahue-Wallace, Professor of Art History, University of North Texas, and author of Art and Architecture in Viceregal Latin America, 1521–1821)

Review
"This is an important book that successfully demonstrates the potential of heritage studies as a critical strategy to understand visual culture in the context of the production of identity, power, and authority in a society." (Magali Carrera, Chancellor Professor of Art History, University of Massachusetts Dartmouth, and author of Imagining Identity in New Spain: Race, Lineage, and the Colonial Body in Portraiture and Casta Paintings)

"This [book] is immensely important for the field [of colonial art history]. While sixteenth-century contact-era art and eighteenth-century exceptional works have drawn attention to the field, they also help to keep it marginal to the practice of art history. By engaging the Bourbon reforms, the foundation of academies, and so on, Niell and [others] more amply account for colonial art and help scholars from other genres of the discipline to see similarities, not just differences. . . . The book offers a model case study in the recrafting of historical sites for new purposes, particularly, but not exclusively, in a colonial context. It thus offers a good model for the study of a place in all of its complexities and for all of the constituencies exerting influence on the site." (Kelly Donahue-Wallace, Professor of Art History, University of North Texas, and author of Art and Architecture in Viceregal Latin America, 1521–1821)

About the Author
Paul Niell is Assistant Professor of Art History at Florida State University. He is the coeditor, with Stacie Widdifield, of Buen Gusto and Classicism in the Visual Cultures of Latin America, 1780–1910.

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